Ditch the typical cartoon-style cluttered cards and draw a more upscale clientele with these handyman business cards featuring a clean minimalistic design and modern color palette.

​No need to list everything you do in one card. Instead, generalize and have them find out more through your website and social media accounts. When it comes to design, less is more! 

When designing stationery, every element, from font options to paper selection can greatly affect the final product. This is why I'm sharing with you today my latest find and my new favorite stock for digital printing. 

The name of the stock is: Mohawk Superfine Eggshell i-Tone Ultrawhite, 270 GSM

It's an uncoated stock with the perfect shade of white and a slight texture that adds a touch of sophistication to your projects. Give it a try when you have a chance - I'm sure you'll be very pleased with the results. 

Stationery Design Tips & Inspiration
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Hi there! I'm super excited to share my latest designer cheat sheet with you. I'm sure you'll find it super handy, especially if you're like me where you jump between Windows and Mac platforms all the time. You see, I'm a PC-based graphic designer at my 9-5, but I only have Mac electronics at home, so yes, I tend to go a little nuts from time to time trying to remember the keyboard commands. 

Save yourself some time and avoid embarrassment
My advice to you, no matter what platform you use, memorize these! You'll save so much time 'cause you won't have to stop what you're doing to search the web or look for your cheat sheet. I learned the keyboard commands for lower case accents about 20 years ago and all was smooth sailing until a couple of years ago when I switched to Mac at home.

One more thing! NEVER think that it's okay to substitute the letter "ñ" with a regular letter "n" just because you don't remember how to add that little squiggly line at the top. If you do, you'll end up totally changing the meaning of a word or even a sentence, for that matter.

For example, you know when we say "Happy New Year" in English? Well, that is translated as "Feliz año nuevo" but if you use just a regular "n" so it says "ano" – that spells a bad word! Well, not really a bad word BUT "ano" is that place you wipe every day after you go number two. And you do really want to be the person who writes "Happy New Anus" on a design project just 'cause you were too lazy to learn your keyboard character commands? I hope not!

Well, it looks like you got yourself a free printable cheat sheet AND a Spanish lesson today. Yay, you! Heehee. Just enter your email below to have the cheat sheet sent to you automatically. Print it out and keep it in a binder or keep it on your bulletin board where you can see the codes at a at glance.

Cheers to reference sheets that make our jobs easier. Happy designing, my friend.  =]

Over the last few weeks, some of my Stationery Bootcamp students and newsletter subscribers have been reaching out via email. In all of the emails I've received, there is one question they've all had in common:

"How do I get my work and business to the next level?"
This is a difficult question to answer in one email because everyone is at different stages in their career. If you're reading this, I'm assuming you have the same question as well.

There are many things that need to happen in order for growth to occur. Maybe you need to establish an easy on-boarding process. Maybe you need to find wholesale vendors for a variety of stocks and embellishments. Perhaps you have yet to find and establish a relationship with a print shop that best suits your needs.

Regardless of what stage you're in, the trick is not to drive yourself crazy by comparing your work to that of others who are more advanced in their careers than you are. It's great to browse around looking for inspiration, but don't spend hours doing so or you will start to feel hopeless and stuck. I tell you this because it used to happen to me as well, ALL. THE. TIME.

By now, I'm "ripe" enough to recognize that when I'm feeling stuck I just need to step away for a bit and focus on tasks that nurture my creativity and physical health. I know my way around this field (stationery design) well enough to proceed with certainty that creativity will undoubtedly strike when I least expect it.

You might not be so familiar with the territory yet, but that's not a bad thing. It keeps the journey exciting, as you have so much to discover along the way. The best part about familiarizing yourself with this territory as you complete one project after another, is the growth and sense of accomplishment you will be left with. You will, without a doubt, learn something new or finally master a skill that will make the next project you work on a lot easier to get through.

The pace of growth
Whether you want to become a high end stationery designer or focus on cute illustrated invitations for kid's parties - the journey is still very similar. It all starts with baby steps. You have to truly master the basics before you move on to the next phase in your career. To do this, you must work to the FULLEST capacity with the resources you have available. If you are just getting started with stationery design and you feel your work is still pretty basic, then master the basics! Produce the BEST basic stationery pieces out there, the type that makes people say "Wow! It's so simple, yet so pretty!" Polish up your typography skills (a topic I will cover soon), follow a few basic design principles (not too many fonts, create focal points, use colors appropriately, yada, yada, yada).

Once you've mastered the basics, you will naturally and easily gravitate to the next level as you gain more understanding of what each process entails and what needs to take place to achieve certain outcomes. 

During this time, there are two things to always keep in mind:

1. You simply cannot fulfill every custom stationery request in the early stages of your career. You probably don't have the experience and/or understanding of how to do it at this time, but that's okay. You WILL get there.
2. You need to define your style early on so that you may differentiate yourself from the rest and attract your ideal customer.

Through each stage of your journey, your work will attract the type of customer that identifies with your work at that particular stage in your career. The type of customer who will also bring new challenges and new opportunities for growth as they require you to "do your thing" while infusing the flavor of their event into your designs.

Where are you and where do you want to go?
Take a close look at the work by other designers that you are drawn to. Which ones make you say "Gosh, I wish I would have designed that!"? 

• Are they handcrafted invitations?
• Are they letterpress?
• Are they flat or layered?
• Do they have die cuts?
• Are they boxed? 
• Are they minimalistic?
• Are they highly embellished?

Once you know what you are drawn to, it is safe to say that this particular style is the type of work you aspire to do. 

The next step is to study the work that inspires you and figure out what it takes to design work of that caliber. What resources do you already have available and which ones do you still need to discover in order to create similar work?

"Well that's the problem - I don't know!" 
I swear I just heard you say that. Heehee. 

For starters, EVERY designer needs a good print shop. That is the absolute most important business relationship you will make. If you don't have access to a high quality reliable print shop, then your beautiful designs will not come to life in the way you intended them to.

Even if you don't have access to wholesale paper suppliers, patterned stocks and rhinestones, when you have a professional printer you can turn to, you have access to their stock and special treatments. You just need to remember to use them.

Take the invitation below, for example:

This is a design by Paper Fresh Co, I found on Etsy. It's so simple yet beautiful. The hand lettered font used for their names creates a nice focal point and adds a bit of warmth and romance to this otherwise cold design.

Let's say you created this piece but you want to embellish it somehow. It's beautiful as it is, no doubt, but how can you take it to the next level if all you have access to is a print shop?

Below are some enhancement suggestions:

1. Ask the printer to produce them with rounded corners
2. Instead of ink, ask the print shop to foil stamp the text. This design would look absolutely AMAZING in black foil, as well as in gold or silver foil stamping
3. Keep the front as is, but use a solid ink color on the back side of the invitation
4. Pair the invitation with a colored envelope
5. Line the envelopes with pattered paper. If you don't have a paper wholesaler, you can easily find high quality wrapping paper at a retailer near you or online
6. Have the edges of the card printed in a different color

And just like that, you can easily transform a basic design into something that will have greater impact. The best part is that none of these options require you to have access to wholesale paper suppliers nor do they require an insane amount of manual labor from your part, except for the lined envelopes.

Above is a piece I created in 2013 for the McCallum Theatre's annual gala. This is their major fundraiser each year, which meant I had to create something elegant that would appeal to high-end donors, but it also had to be easy and inexpensive to produce considering we'd be printing about 5,000 invitations.

Here's what I did:

• I designed a 5.5x8.5 (folded) piece to fit in a standard booklet size envelope.
  This means no custom envelopes had to be converted.
• It was printed on white card stock, yet the stock was covered in ink.
  No white was seen on the inside or outside of the invitation.
• The card folds twice to create 3 panels
• It required a die cut to round the flap that formed the outer cover
• I used different ink colors in each panel to create dimension
• I asked for the pattern on the flap to be coated with a Spot UV gloss
• Instead of a white sticker with a logo, I requested a round gold foil seal to be embossed with the company logo

See how pretty the spot UV gloss looks in the light? The contrast between the two different colors on the cover, the round patterned flap over the beige ink, the foil and embossing of the sticker, it all came together nicely creating the illusion of depth and layers. And to think that all it took was a little imagination, plain white card stock, ink and knowing how to communicate with my print rep.

Your Mission
Whether you're a Bootcamp student or not, if you are serious about your stationery career, I ask that you to complete the following mission:

Take a look around and assess your current situation.

1. What do you have access to at this time? Computer, design skills, laser printer?
2. How can you get the most out of your resources?
   For example, in my invitation above, I knew hand crafted invitations were out of the questions, so I used the services my print shop provides - to the max!
   Think of ways you too can use your resources to the max.
3. How can you utilize those resources to create a signature look for your work?
   This could be something as simple as using rounded corners on ALL of your invitation designs or focusing solely on simple designs for letterpress printing.
4. Once you decide on a signature look, create a minimum of 5 designs that you can photograph and showcase on your website and portfolio. These should be different from each other but similar enough so your style shows through.
5. Figure out pricing for those basic designs so that you are ready to answer questions as you receive inquiries
6. Know that you will attract customers who are drawn to your style. This means you have similar taste, which will make it easy for you to work with them. If you post a lot of different styles on your website, you will most likely receive too many inquiries at once from people looking for different things. This will cause a lot of frustration while you are still establishing your professional relationships with vendors and finding your way around. So, do yourself a favor and set the stage by showcasing work that you are able to produce stress-free at this point in your career. The growth will come, don't worry.
7. Remember to utilize your current skills and resources to the fullest. When you do, the universe has a way to open doors that will take you to the next level. Who knows...maybe the door you are meant to walk through next is that of Stationery Bootcamp ;-)
   
   

Stationery Bootcamp News
STUDENTS: If you log on you'll see I've added a Resources page where I share all the resources I use and recommend. Though the page is still under construction, my entire list is already there, which includes everything from wholesale paper suppliers to printers in the state of California. I just need to finish adding links and a blurb about each resource describing when and how I use them.

NEWSLETTER SUBSCRIBERS: If you have been wanting to join the course, but haven't done so, please send me a note and let me know what's holding you back. Perhaps you are not sure if this course is for you? Perhaps you're unclear as to how the course works?

In summary, Stationery Bootcamp is a password protected website where I share everything I know about the stationery business. I charge a one time membership fee which gives you access to all the lessons and all future updates at no additional cost. You can work at your own pace and access the lessons at any point in your career. The lessons currently included will prepare you to respond to customer inquiries quickly and effectively, give you insight on how to conduct consultations both by email and in person and guide you through everything that takes place in between, all the way through delivering the final product.

Registration opens at $229 on July 18th and closes on July 30th, 2016. I don't know if I'll reopen the course for enrollment again, until the spring of 2017. It just depends on how busy I get with work as fall approaches. I don't keep enrollment open at all times because I want to make sure I am available to answer student questions and I can't do that year round as my full time job requires much of me from September-March.

Registration will reopen in spring of 2017 at a rate of $300, so mark your calendars to ensure you are able to sign up this summer to enjoy the benefits at a lower rate!

THANK YOU!
Thanks for allowing me to be part of your stationery journey. I know my blog posts tend to be long-winded, but what can I possibly teach you in just a couple of paragraphs? I'd only leave you with more questions than answers. My goal is to pour on to you as much knowledge as I possibly can, because frankly, what else can I do with this knowledge that will truly make a difference? Make another pretty invitation?

I'd rather use my skills and knowledge to make a difference in YOUR career, because I remember what it was like to feel lost and overwhelmed. I remember reaching out to more experienced designers and never receiving a reply. In the end, I found my way around and it all turned out ok for me. I am certain that it will all turn out great for you as well, whether you decide to join Bootcamp or go solo. At least you have the option. I didn't.

I hope you found immense value in today's post. If you have any questions or comments, please feel free to send me a note.

All the best, your stationery design coach,

Dio

Are you annoyed by the fact that each time you create a new document in Adobe Illustrator, the measurements show up in picas? 

What are picas anyway?
Picas are a measuring unit such as inches and centimeters. Each pica consists of 12 points (as in the point size of a font) and there are 6 picas per 1 inch.
 
A standard 8.5” x 11” sheet of paper measures 51p x 66p. If you are not familiar with this measuring system, it can become rather frustrating each time you create a new document and you see these numbers on the screen not knowing what dimensions you are working with. There are times, however, when it becomes highly convenient to switch from inches to picas to simplify the creative process. It just makes the math easier.
 
For example: Let’s say you’re working on a 3-panel brochure and you want to divide a standard horizontal page measuring 11 inches wide by 8.5 inches tall into three columns. Good luck trying to divide those 11 inches by three! Guys, I’m an artist, not a mathematician, it’s not easy for me. BUT if you switch to picas, you can easily divide 66p by three, making each column 22p wide, and ta-daaa! You’re ready to get to work. So you see, it’s not so bad. Those guys over are Adobe are just looking out for us creative types.
 
In any case, below is a 2 minute video showing you how to change your settings so that all your new documents are created in inches. You'll also learn how to display your rulers to verify the size of a page in both picas and inches, and how to change the size of an existing document using the artboard tool. It's basic stuff for an experienced designer, but a huge breakthrough for beginners. Enjoy!

Join the mailing list to receive graphic design tips, guidance and inspiration that will help you excel in your new career as a custom stationery designer.

I came across this funny graphic today by Digital Synopsis, it make me chuckle because I can totally relate! When I see fonts that are stretched out beyond recognition for now apparent reason, I get so irritated that I'm pretty sure it messes with my blood pressure. 
So here's a the tip for the day, and I'm not sharing this for the same of my personal health, for the sake of your graphic design portfolio. Don’t EVER stretch out your fonts to the point they are unrecognizable. It’s like shaving your eyebrows and drawing them in arched halfway up your forehead. You just don’t do it.

Join the mailing list for more design tips sent directly to your inbox!

Hi there! Remember I told you I was on a mission to learn the keyboard shortcuts for mac? Well, I made a little cheat sheet to keep near my desk...one for home and one for the office. Feel free to print one out for yourself too and come back next week to get yourself a new set of shortcuts. We're gonna do this together, and we're gonna be so quick working on our computers, our keyboards will be smoking!

Ok, so I've been a PC user all my life. Everywhere I've worked I've always used a PC, and I had a PC at home up until 3 years ago when I bought my Macbook Pro. Being that I work a full-time job, I wasn't using my Mac as much, because the last thing I wanted to do after staring at a monitor for 8 hours straight was to come home and stare at another. That's until recently when I started blogging more frequently and started working on The Custom Stationery Course. Now I'm eager to come home and work on the fun stuff! 

The only thing that's driving me crazy is that I haven't learned any keyboard commands for the Mac. Because of it, I work a lot slower at home. As you all know, time is our most precious resource (especially family time) so I decided to do something about it. Now, because my almost 40 year-old brain doesn't retain as much information as it used to in its 20's, I decided to learn one shortcut at a time. Just memorize one, use it for a couple of days, and then learn a new one, and so on. That sounds easy, right? 

The youngsters out there might be laughing at me right now, but the seasoned professionals with kids and a home and a side project, and many other things to remember, will agree that when your brain is full it's best to feed it little by little in order for it to retain the information. 

So, if you're with me, here are three keyboard shortcuts for mac:

File keyboard shortcuts for InDesign, Illustrator and Photoshop
New............Cmd + N
Open..........Cmd + O
Close.........Cmd + W

Yes, I'm giving you three at once, because I've already learned the first two, so I'm two steps ahead of the game. So catch up and I'll see you here next week for more. Eventually, I'll make a pretty little cheat-sheet, but ain't nobody got time for that right now! We've got e-courses to complete and a family waiting to be fed!

I am LOVING the retro cereal boxes by General Mills. I know they're totally marketing to my age group, and you know what? I don't mind one bit! I almost, almost, bought a box of Lucky Charms last week just because the retro design took me back to my grade school years at first glance. Good job, marketeers! You got my attention by bringing back cherished memories of the days when I had no cares in the world. My only worries were wondering what mom was going to make for dinner that night. Those were the days...

Which box design do you like best?

I was roaming the Target aisles with my daughter when I first spotted the retro cereal boxes, and being the observant person that she is, she immediately noticed my excitement as I held these two boxes in my hands. "Which one do you like best?" she asked. Without hesitation, I told her I preferred the retro design. She disagreed and voted for the other. I do realize I am biased, but trust me, as a designer, there are definitely other factors influencing my preference.

• Cuteness: If you follow me on my Paisley In Paris blog or Instagram, you know I'm an avid doodler and I enjoy creating cute illustrations that are suitable for kid parties and just about anything else baby/toddler/child related. I am naturally drawn to anything cute and cutesie, and in my opinion, the retro leprechaun dude is way, waaaay cuter than the creepy 3D guy on the current box design. 

• Simplicity: I also prefer the simplicity of the retro or "throwback" design as they call it. It's almost minimalistic, compared to the current one. The latter is just so busy, my eyes feel like they're going to explode. There are tons of colors in a variety of shades, big marshmallows, sparkles, tons of text and a 3D creepy looking dude...which you already knew about...because I mentioned him and his creepiness in the above paragraph. 

• Type: There is so much more type in the current design and not only is there a lot of it, but it is also warped and outlined, and shadowed, AND to make things worse, there are so many fonts in so many different sizes. Again, waaay too much going on. So much, I'm feeling a bit of  anxiety just writing about it. No, I'm not crazy, just overwhelmed. 

So there you have it! Today's Monday Hues and graphic design tips were inspired by cereal boxes found and photographed by me, in the Target aisles. I'd also like to note that I picked today's inspiration source and color scheme in honor of St. Patricks Day, so enjoy your greens and golds and remember, inspiration is everywhere.

Happy Monday!

~ Dio